counterfnord

Gigs, dance, art

May 23rd, 2009: Opera Mort / Talibam! / Mesa Of The Lost Women / Bülanz Orgabar / Erik Minnkinen / Damien Schultz

@générale

Maybe that computer crash was some kind of karmic payback for my lack of focus that day, as I managed to be enough of a chatterbox to miss the whole of the set by Keränen with Evil Moisture. And half of Erik Minnkinen’s as well.

First things first, a shout out to who made this happen.

Damien Schultz went first, and even though I liked the previous time I’d seen him better, I think I now found a way to get it. I kinda ignore the words — though that’s hard at times because of the tricks he plays with those — and take it as some rhythmic music. And it’s pretty good. I came back into the room about halfway through Erik Minnkinen‘s set, so I missed a lot. More expected than the last time around — with the radio — but still good enough to make me mend my ways — and mentally kick myself — and make sure I’d not miss more of this show.

Bülanz Orgabar were in surprisingly efficient mood. That set was quite different from the other times I heard them, in that they sounded closer to a regular experimentalish band. That’s still far from mainstream, but the lack of surprises was the main surprise, and I missed the way they can as it were fall yet hit the ground running, taking a leap of faith out of whatever is closer to safe in their book.

Mesa of the Lost Women had brought along Jac Berrocal and Cathy Heyden. I had never heard of Cathy Heyden, and I really liked her play, maybe not matching the core duo in pure energy but just as intense and more interesting for me. Jac Berrocal was his usual self, which these days tends to be overacting the drunkard part, but just when I gave up on him he would rise and let out something spot on and arresting. That not only shows that trumpet is not a prop, but that he had been listening all along. I just wish he would cut a little on the side show, because as good as some of his burst were, he could easily have brought more, and the act did get stale a while ago for me.

I really liked Talibam! this time. They were on their own, and pretty much did their thing, but there was something more than their usual intensity. It’s been a while and even then I would have been unable to say whether that something is a richer music or being more in tune with the place and audience. Probably both, as my main gripe with them so far had been that it sometimes sounded like a well defined and somewhat closed system, and now I think they seem confident enough to bring other stuff in, and to adapt their game plan to whatever is around, both in terms of setting and people around them. Maybe hearing them play with Chatham and Pauvros just made me pay attention to something that had been there in the first place, it’s probably actually a bit of both.

To top it off, Opera Mort. And top it off they did. Totally my favorite set by them, and also of this show overall. The right thing at the right time in the right place. It was intense, driven, and just plain fun. I was about to say “I think they finally made good on their talk about bringing it on”, but that’s totally off the mark as far as I’m concerned. It just feels wrong, because “think” is quite alien to my actual experience just then; “enjoy” would ring truer, but it just falls short. It was an exhilarating experience, with stress on “experience”. Which I hope I’ll be able to do again soon.

Advertisements

May 29, 2009 - Posted by | Music | , , , , , , , ,

No comments yet.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s