counterfnord

Gigs, dance, art

June 28th, 2009: Elwis Presley Lieben Toten / Antilles / Damien Schultz / Mr Marcaille / Projet Piscine / aka_bondage

A pretty good start with a diverse set by aka_bondage. Sometimes close to noise, sometimes percussive, featuring loops, samples and his trademark stringed antlers. He used a bow when the latter was involved, and that might have been my favorite part — though the first one was real cool as well. I know he’s been around for a while, but I had only heard him as part of a bigger project not that long ago, so that was a nice discovery for me.

Back when I first heard Projet Piscine, I was surprised at my liking them despite a eightiesish sound. I don’t whether they evolved or I just paid more attention, but except for a very Cureish bass sound during one song, it’s really not that dated. I was actually more thinking about mid-nineties Sonic Youth during their set, for some reason that isn’t all that clear to me. It definitely has something to do with the singer’s inflections at times. Anyway, it’s not a big deal because whatever influences showed up, those were integrated into something definitely theirs and current. And though they do have a rather consistent sound, their songs are not alike, that kept me interested throughout. I went to my original post about them and read that I wondered whether they were good or I was in a good mood. This time my mood was sour and I their set was my favorite anyway, so that pretty much settles it. In between I had heard them once for a very short set, botched in a way but that I liked a lot because it was rougher. Another promising thing about them is that people who have told me about them don’t agree much on what they like about them; I take that to mean I still missed a lot and will hear new things the next time.

Mr Marcaille brough something totally different, basically playing metal on cello. Throw in some serious feedback and drum kicks, and it was indeed metal, the cello bringing a different touch but not straying into some ironic fusion at all. As is often the case with metal, I did enjoy it at first, but kinda lost interest toward the end. A bit too much of the same thing, that’s all. But cool enough for a while.

Damien Schultz is always challenging for me, because I don’t like words, so I have a hard time getting into spoken word acts. I just tend to block out the words and focus on the flow. He’s suitably relentless and rather on the fast side, which help. Not my favorite performance of his, but not a poor one either.

I was quite impressed by Antilles. I had last seen them two years ago, but hadn’t quite got it at the time. Erik Minkkinen was just as creative as usual, this time his guitar was flat on a table and he started by playing a beat that was close in role to bass even though the effects made it sound more synth-like. Again, I really liked what Lionel Fernandez did, I once thought he was too loud and assertive, but I’ve changed my mind in the past year or so. He’s probably both, but the difference is I get it now. The drummer was a big part of why I liked this set, in that he not just grounding the thing but really had an equal part. The whole had an almost trance like quality, especially the encore, driven with a rich sound with featured clear sounds and a dense texture.

Elwis Presley Lieben Toten saw their set impaired by technical difficulties and cut short by curfew. Laptop, guitar, megaphone and power tools for an electro-punk hybrid that had cool moments but I just had a problem with the beats. Hard to say with those less than ideal conditions, and their playing last probably didn’t help, so I’d probably like a second look.

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July 2, 2009 - Posted by | Music | , , , , , , ,

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